Cinema and Intermediality: The Passion for the In-Between (Second, Enlarged Edition), by Ágnes Pethő

Raymond Bellour observes that, in terms of the dispositif, it has been some time since cinema could be classified according to Serge Daney’s designation “cinema, alone”, that is, when was only art provide moving image and sound; indeed, suggests although we came believe “the dispositif”, perhaps ever just one multiple dispositifs (2). In Cinematic Intermediality: The Passion for In-Between, which reissued a second, enlarged edition, Ágnes Pethő considers from an intermedial perspective, inextricably linked other media arts first presented theatrical environment, presenting narratives provoked emotive response by means “a combination images movement, music words”